Selling the Sky
How Transferring Development Rights Can Help and
Hurt Historic Landmarks

Story from the archives by Carole Moore / Apr. 13, 2007

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| Grand Central Station (NTHP)
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In 1968, the Penn Central Railroad wanted to add
a 53-story addition to Grand Central Station, but the City of New York
nixed the idea on the grounds it would change the station's historical
value. Grand Central Station couldn't be altered, so instead, the railroad
transferred its development rights to nearby buildings, starting in 1979.
The move let the station keep its original configuration while the railroad
profited, with about 1.5 million square feet of unused development rights
still in inventory.
Transfer of development rights, or TDRs, a land-use technique
normally associated with farmland, have quietly seeped into the realm
of historic preservationoften with mixed results.
TDRs work like this: Take a one-story historic building
in a zoning area that allows other buildings the same size to be five
stories high. The historic building has four floors of what is known as
"air space," the area above the building where additional floors
would be if it was an ordinary structure. Since it's historic, though,
the owner usually can't change it. If TDRs are allowed, the owner of the
historic building can sell the air space, which is basically the right
to build four more floors on another building, to a developer.
Not everyone is crazy about this idea. One problem with
urban TDRs, such as the ones used by Penn Central, is that a building
zoned for 30 stories could buy a local landmark's 20 stories and zoom
up to a total of 50 floors. Of course, when development rights are transferred,
it doesn't mean building codes fall by the wayside. They still have to
be met, and government approval is usually required.
Yet the transfer of development rights can play a big role
in landmark preservation. "TDRs definitely encourage historic
preservation, but communities are all over the map in terms of
[regulations]," says Rick Pruetz, FAICP, author of Beyond
Takings and Givings (2003) and an expert on TDRs.
Ask Pruetz which cities have a good preservation track record
with TDRs and he points to San Francisco, a city that made them part of
its blueprint for the historic downtown area. Used as an incentive, TDRs
have helped the downtown keep its unique flavor. Other places, like Seattle,
Washington, D.C., and New York City, have also gone with TDRs to both
safeguard landmarks and help their owners with financial incentives.
So far, 15 U.S. cities have TDR programs.
One of Seattle's most celebrated TDR projects is the renovation
of the old Paramount Theater. TDR sale proceeds combined with other funding
to update the beautiful and historic building, originally constructed
in 1928 by Paramount Pictures studio executive Adolph Zukor.
Other cities have also transferred these rights, but somelike
Atlanta and Dallashave a spotty record. Both cities allow contractors
to combine very tall buildings with smaller footage on the ground floor.
With these generous floor-to-story ratios, there's not a whole lot of
enticement to buy TDRs to add floors.
New York City also has several active TDR programs, but
not all have won universal praise. One that received a lot of press attention
was directed at the Broadway theater district and its subdistrict. While
theater owners could sell their air rights, there were lots of strings
attached. They couldn't change their businessto, say, turn the theater
into a flea markethad to prove they have the money and customers
to stay open, and then pony up a portion of the TDR sales to a fund that
helped the theater district.
Simeon Bankoff, executive director of the Historic Districts
Council in New York City, says his group isn't a fan of all of the city's
historic preservation plans using TDRs. Some rules have led to high buildings
or "mega developments dwarfing neighboring protected landmarks,"
he says. "They could work, and on paper they make sense, but in the
New York City environment, the concept is easily abused."
For proof, he points to the Congregation Shearith Israel
on the Upper West Side, the Theater for the New City in the East Village,
and Amster Yard in Midtown, which are or soon will be overshadowed by
towering buildings, a result of air rights being restricted to the same
small geographic area.
Transferring development rights may not work everywhere,
but the book on them is still being written. One historic Florida church,
for example, recently sold its TDRs and used the money to improve its
church school, saving it from having to do extensive fund-raising or borrowing
a lot of money. It was definitely a win-win for the church.
But TDR programs aren't simple to write or put in place.
Law Prof. John R. Nolon, counsel to the Land Use Law Center at Pace University
School of Law, says land-use plans involving TDRs are complicated but
workable. This is particularly true in the case of historic preservation,
but the advantage, as Nolon sees it, is that TDRs can play on both sides
of the street.
By using TDRs wisely, Nolon says preservationists can make
a real difference in their communities. First, they must determine areas
where they want to support development, then developers in those same
areas can purchase the rights from the owners of historic property. The
result, when done correctly, should be a balanced and careful approach
that benefit everyone, now and in the future.
Carole Moore is a freelance writer based in North Carolina.
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