Distillery Crawl
The whiskey trails of Kentucky and Tennessee give "spirit of place" a new twist.
BY WAYNE CURTIS
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At Whiskey Distilleries, you'll often
see a black fungus where alcohol vapors vent. Called
torula fungus, it afflicts buildings with a sort of
disreputable five-o'clock shadow, like the soot that
ornaments the back of a diesel bus. But after the
third distillery or so that I toured in Kentucky and
Tennessee last fall, something happened: I started
to appreciate the fungus as a patina.
At the Buffalo Trace distillery in Frankfort, Ky.,
torula lent imposing brick storehouses a pleasingly
Dickensian air. I admired the untidy fungus on tree
trunks outside the charcoal filtration building at
the Jack Daniel distillery in Lynchburg, Tenn. Streaks
of attenuated gray-black mold produced the effect
of a Helen Frankenthaler canvas on spare, Shaker-like
warehouses filled with aging bourbon spread across
a hilltop at Heaven Hill in Bardstown, Ky. Torula
isn't a fungus I would describe as beautiful,
but during my four-day visit, it perfectly linked
the natural and the manmade, product and place.
Although whiskey distilleries hereabouts once greeted
tourists with the same warmth moonshiners reserved
for revenuers, I was met only with open arms at my
seven stops on the Kentucky Bourbon Trail. The state
plotted the desultory course in and around bluegrass
country after noting California's success in
luring to its wine country well-heeled tourists interested
in adult beverages. Laws were made more connoisseur-friendly,
allowing distilleries to sell limited-run whiskeys
on premises and even offer tastings. (Regrettably,
only Jim Beam and Buffalo Trace rewarded my labors
with free sips.) Two new visitors centers, at Heaven
Hill and Four Roses, will open this year. I added
a side trip to Jack Daniel's because Tennessee
is considering an abbreviated whiskey trail that would
connect the state's two distilleries. Making
good whiskey involves fine-tuning a mere handful of
variables, so you might expect a high degree of repetition
on the tours. To the contrary, I found each distillery
wedded to a unique time and place, and possessed of
its own warp and woof.
For more of this article, look for the May/June
2004 issue on newsstands, or e-mail
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